We have such pressure in our society to perform. To succeed. To excel. Somedays this is just not possible. We have a hard time getting out of bed.
We have a headache, an ear ache, or a stomache ache. Or perhaps a heart ache. Or a hemorroid.
We approach the page or the easel with discomfort. Where is our passion? Where is our drive?
Sorry. It’s impossible to be at the top of your game one hundred percent of the time. Sometimes you just have to show up and go through the motions.
I was reading in the Observer Book of Art about the artist Marc Quinn. He says, “I’ll have an idea live with it for quite a long time, write it, draw it, put the drawing on the wall, then make a model. Because every project takes a different amount of time, I have lots on the go. Some will wither and die on the vine and others will come to fruition. It’s a completely organic process.”
A completely organic process. Because we are organic beings, we have to honor the process of everyday isn’t always an opus. Just show up everyday and do what you have to do. Soon you will have a body of work (opus) behind you. Some of it may even turn into a magnum (great) opus. Some will not. Some of it will wither and die, only to be reborn in another form. Everything is constantly recycled.
This is how it works for me:
Blogging
Blogging is definitely showing up at the page for your scheduled writing appointment. Some things will strike a chord in your readers and some things won’t. Barbara Swafford has an excellent post about most bloggers being quitters. Go and read it to find out about discipline and showing up at the page.
Writing
Sometimes you will show up at the page and think you are writing complete shit. And you read this supposed shit the next day and think, “Wow, this is pretty damn good!”
Don’t trust your feelings about your writing. Just write.
Photography
If you use a DSLR you can tell right away what is a good picture and what is not. A DSLR is an impulsive photographer’s dream! But then comes the task of editing all those pictures. Time to go to Photoshop or Digital Photo Professional. I typically have to edit 60 to 250 pictures at one time from a photo shoot. This takes quite a bit of time cataloging and sorting out the slightly fuzzy from the excellent. If I don’t keep up with it it could easily overwhelm me.
How do you manage your days when you feel less than optimal? Do you worry that if your not operating at one hundred percent that your work is substandard?
Photocredit: © Ellen Wilson