Psychological Operations and the OCCK Case

The Oakland County Child Killer (OCCK) case. A case on par with the Franklin Cover-up and so many others. It was a case during the 1970s that you did not hear about very much, unless you lived in Michigan and most specifically the Detroit area, where everyone was terrorized. 

You didn’t hear about the OCCK case because the case was successfully covered up.  How did they do it? Well unpacking that is disclosing an almost successful psychological operation, but one that now is unraveling very quickly. And make no mistake, many people are concerned, because it involves peeling the mask off the face of complicity in nothing less than rank evil. Yes, the stench of it is all pervasive.

The grand finale in the case came when Christopher Busch, an OCCK suspect unknown to the victims families, was found allegedly ‘suicided’ in his bed.  The OCCK task force that was in charge of investigating the case was then summarily closed. Many years went by. The families thought the cops were diligently working on this cold case and never thought to question the investigation. It was felt the case was in good hands.

Then, the first crack into their psychological operation was exposed when a family friend of one the victim’s families happened to run into a man at a polygrapher’s conference who said he had polygraphed a suspect of the OCCK case before the last victim, Timothy King, was murdered.

Suddenly a deluge of information came out regarding a certain polygraph of the forementioned suspect Christopher Busch that the victim’s families did not know existed until this information was exposed.

“… someone missed redacting a “Larry,” but I knew as of July 2006, before the cops ever got involved in this, that Larry Wasser is the polygrapher who talked to Patrick Coffey about the OCCK case in July 2006. And we tried for a year to find a way to get some information about what Wasser said without naming him directly or involving the cops early on, who, as you might have figured out by now, are not always that helpful in this case.

The families of the murdered kids found out there was someone named Christopher Busch who was a suspect.  Who was this Christopher Busch?  Why were we not told about him? Did he have information to blow the case wide open? Was this the reason he was ‘suicided’? Was he threatening to talk about what he knew about the Michigan pornography rings and snuff film rackets that he was most likely a part of? Was he becoming an extreme liability and had to be silenced at all costs so the truth wouldn’t come out?

The book Portraits in the Snow gives a good run-down of the Michigan mafia and it’s many guises from someone who was there at the scene—an insider.  The writer also discusses the revelation of the polygraph.

The latest psy-op regarding this case pertains to an statement of the very worst kind by none other than the Michigan State Police.  In regards to a well written and detailed non-fiction book about the case recently written by Detroit News journalist Marney Rich Keenan, a spokesperson for the police said: We don’t comment on fiction. Basically stating that 1. They don’t know the difference between fact and fiction or 2. The whole investigation was a fiction of which they were key players.

Indeed, Michael Hoffman tells us in his book Secret Societies and Psychological Warfare:

“This is what simplistic researchers miss: the function of macabre arrogance thumbing its nose at us while we do nothing except spread the tale of their immunity and invincibility further. That is the game plan operant here.

And regarding another polygraph of another suspect, John Hastings, which police said he had passed. But didn’t—it was inconclusive. Begs the question. Is it really possible to be that inept? Or is something more sinister at play here?

A pattern of mismanaged data, thrown away evidence, and leads not properly followed haunts this case.

“I will say this: It took lawsuits, appeals, over $11,000 plus attorney fees to get a pile of redacted documents from the Michigan State Police. A pile of documents wherein they neatly tucked photos of my brother’s dead body.



Cars and Gaslighting.

11 Warning Signs of Gaslighting


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Back to the Future

Back to the Future was a movie made in 1985 about a guy who had to revisit the past in order to make sure he existed in the future.  The movie, quite literally, is based on science and events from the past.

The Philadelphia Experiment, an operation the military will not admit to, was done as an experiment in radar cloaking, making the navy ship, the USS Eldridge, invisible to enemy radar. In actuality it was a time travel experiment, which involves many of the same processes as radar cloaking.  This experiment, as the Kennedy assassination, serves as an anchor point in changing the historical narrative for key players in the military industrial apparatus in order to gain the upper hand in world domination and military strength and strategy.

According to Al Bielek,¹ who was aboard the USS Eldredge of the time of the ill-fated experiment, they had to couple the relationship of time to various factors and synchronize with the Earth’s biorhythm (Shuman Resonance).  John Von Neuman was in charge of the calculations.  The Earth’s biorhythm peaked every 20 years and was used to calculate the time travel missions. These specific peaking dates were August 12, 1943, 1963 and 1983.

In the movie, Back to the Future, Marty McFly, the main protagonist, goes back in time to the 1950s. The time travel machine is a DeLorean sports car.  An apt symbolic analogy, for in the 50s Detroit was at the top of the game in automobile design and production.  John DeLorean was born and bred in Detroit. His dad worked on the assembly line and John decided to stay in the business.

John DeLorean

DeLorean hit it out of the ball park with his GTO muscle car, and then a series of sports cars after that, all designed to look good, go very very fast and make a man feel virile and on the top of the world.  John DeLorean wasn’t so bad looking himself, and had a worldly philosophy and keen understanding of what people wanted in a sports car from Detroit.  In short, he was primed to rule the auto industry with his future-forward ideas and market intuition.

In pops Gordon Novel of JFK conspiracy fame.  The guy that Jim Garrison tried to subpoena but ran off to Ohio. The interesting slant on Novel is that he was the Oswald impersonator setting up an alternate timeline in Dallas implicating Oswald in various activities.

Gordon Novel and Lee Harvey Oswald

In fact, Gordon Novel’s wife gave testimony to Jim Garrison stating that very fact: yes, Gordon Novel was the clean shaven guying impersonating Lee Harvey Oswald and fabricating evidence against him before the murder of JFK.

DeLorean hires Novel as a private investigator for his company and he subsequently becomes a business partner.  Perhaps DeLorean was intrigued with Novel’s multi-colored motley background of gun-slinger, UFOlogist and knower of particular people who knew certain things about energy, physics and special projects.

Speeding up time we find: DeLorean opens a plant in Ireland. The factory goes belly-up and the British, who floated DeLorean the loans, call it quits and want their money. Then the FBI discovers that DeLorean has been trafficking in cocaine. Oh my.

To the rescue, Gordon Novel. Who fantastically declares that conservative elements in the British Government wanted to take him down and the FBI did a sting operation on him.  How convenient.

Gordon Novel, who perhaps was a CIA plant set-up to make Delorean take a fall, by blaming the British, who may also have had a hand in it, and then claim that it was an FBI sting operation that had set DeLorean up with the cocaine.  So in one fell swoop acting as a save-the-day savior.

Which perhaps inspired Steven Spielberg, who is also interested in UFOs and other-wordly things, to produce the movie, Back to the Future, which ultimately was a blending of a real life tale of these strange synchronicities of time and space and the rise and fall of empires.

The DeLorean comes to signify the ’80s the way a pink Cadillac represents the theme-restaurant ’50s. DeLorean himself is increasingly misremembered as a visionary whose ideas the world wasn’t ready for — Doc Brown in a three-piece suit. When the movie comes out, he writes a thank-you letter to screenwriters Bob Gale and Robert Zemeckis.”

Giving rise to one car writer to muse of Detroit-area car executives of that era,  “But they were also like the Roman army: they were tall, goyish and had to inspire confidence in their troops.”

And now, after DeLorean was brought down, Detroit is being touted as the next Silicon Valley.

In 2005, twenty years after the movie Back to the Future was made, DeLorean was dead. A 20 year pulse of biorhythm. In fact, the movie makes many references to infinity, using the 88 as geometria and a numerological device to go back or forward in time, to transcend time, by going this many miles-per-hour in the DeLorean.

Towards the end of his life John DeLorean seemed to get a grasp of the forces that surrounded this world and very particularly influenced his life. He became a born again Christian.

In September 2004, six months before he died, aged 80, he filed a federal trademark registration for the DeLorean Automobile Company “in the category of vehicles and products for locomotion by land, air or water”, using the name Ephesians 6:12 Inc.

Ephesians 6:12 reads: “For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.”

Realizing the reality of evil in the world DeLorean left his last legacy. And if the DeLorean wouldn’t fly the message does — it is the trademark of a spiritual warrior.


Also See:

The Philadelphia Experiment from A-Z:  The Mysterious Morris K Jessup

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The Modernism Murder Mo of the Robison Family

The Robison family was murdered in Good Hart, Michigan in 1968 around the summer solstice. Investigators were never really sure of the exact date, because they were found in their summer home a month later, putrefying, as someone had locked the door and turned up the heat.

Investigators never solved the case.  Or maybe they did, but didn’t get a chance to get it before court because the chief prosecutor threw it out. Why?  I think because he knew he shouldn’t touch it with a ten foot pole once he got a look at what detectives had compiled as evidence.  He most likely made a few queries into the background of what was really going on and took it off the court case menu — yes, 86d it, because he had been served this entree before at the Nuremberg trials and apparently knew the combining and mixing of ingredients that the powerful families had concocted and didn’t want the rest of the world to sample a taste of what was really going on with the powers that be. Nope. Because quite frankly, he probably didn’t want to find himself as a dish served up cold and 6 feet under.

You see, Richard Robison was an ad man and an artist. He also had a very popular magazine called Impresario which was devoted to arts and culture in the Detroit area.  I took the time to dig up some of these old copies of Impresario and found out what kind of person Robison really was.  It turns out that Robison had some very interesting ideas  about art and culture:

“A long time ago the writer was aware of an ambition that was in the process of burning a hole in the mind’s conscience over the apparent lack of ethics on the part of both so-called artists and dealers of art.”

                                                                                                                                                                      As you can see from perusing the above page, he was very well schooled in the Modernist takeover and was trying to stop it.  The Modernist project was greatly facilitated by the Museum of Modern Art (MoMA). It was a Intelligence Project concocted by the CIA, British Intel, and Russian agents.  If you think this a bizarre Intel combination just remember that the bankers subsidized the war in Russia and then turned around and financed the war in Germany.  Once the Russian apparatus of communist control was completely installed, it was then used as a cultural weapon to control populations by degrading their culture and morals.  Thus the rise of ridiculous Modern Art and other culturally undesirable things such as an emphasis on abortion, homosexuality and degenerate music as something to promote as culturally desirable.  This communist system was then also imported to China by the bankers and their associated military and Intelligence groups.

You can bet that the powerful did not want upstart Robison upsetting their carefully laid plans for controlling the population via their Intelligence Modern Art Project.

Richard Robison was also interested in transportation design, traffic flow and energy issues within the city of Detroit.

From the Detroit Free Press, October 30, 1965:

Common Council moved a step closer to a $3 million Teletrans test mile Friday after reeling through a hit-and-run hearing on rapid transit plans from around the country. The Council sat through a two-hour hubbub on competing transportation plans before Teletrans developer Marvin Stevens proposed a test track on Woodward from the State Fair grounds to Seven Mile. The track would be financed without direct cost to the City. Teletrans Is a computer -controlled system for carrying passengers In private cabs through surface or overhead tubes. So far the system is untested. The Council asked Stevens to bring In a contract on the test tracks Dec. 8 for City lawyers to examine. If it is approved, Teletrans developers could apply for two-thirds Federal financing from the Housing and Home Finance Agency. Stevens said the remaining third would come from suppliers involved in the construction. THE SAME invitation was made to other transit representatives at the hearing, but Teletrans the only system to bring in a specific proposal clearly had an edge with the Council. “My mind is pretty well made up on one system, if it proves feasible,” said Council President Ed Carey. “All these facts will only confuse me.” Councilman James H. Brickley, pointing out the Council’s bafflement at the barrage of technical terms, grandiose schemes and high-speed salesmanship, renewed his call to revive the Rapid Transit Commission to analyze transit schemes.  “I want to get off,” Brickley said. “We need a staff man to take this information and boil, it down.”

From the magazine Impresario:

In fact, the Cultural Centers have been removed from the heart of the population, because a culture cannot sustain itself with vapid, banal and stupefying Modern Art!  The culture loses its heart; it loses its very soul.

As you know the wealthy families and their Intelligence agency lackeys really don’t want the public having any benefit that they are not in control of.  And this would have been a particular sore spot for them. Imagine if everyone caught onto this idea and it spread throughout the world.  Not good for Rockefeller, Harriman and etc banker Industrialists. No indeed.

Tavistock in London, closely aligned with Edward Bernays, was clearly plotting and devising ways to control Americans — brainwash, dumb down and culturally train them into stupidity.  This is a much more effective way of controlling a population then using force.  Tavistock is also involved with drugs, Satanic art and pedophile rings.

Richard Robison was a Freemason, and perhaps during this point in time there were still lodges around that were working on this type of project in order to stave of the forces of Modernism and Communism that were leaking into America.  If so, perhaps he suffered the fate of Mozart, another artistic Freemason.

The key to unraveling this case is figuring out who these investors are in the Teletrans project.  Who didn’t want this project to go forward and why.  Perhaps Joseph Scolaro, Robison’s co-worker, was sent in to bankrupt Robison and cause disruption.  Maybe Robison figured it out so they murdered him.  Maybe Scolaro didn’t actually pull the trigger, but actually put the call into the killers for a hit job.  But clearly murdering the entire family along with Robison is another question. Why do that?  Also, the clue that Mrs Robison’s dress was hiked up exposing her legs. Like twin pillars. Like a Masonic temple. I’d say this was a calling card from a competing lodge.  The Freemasons really can’t help themselves with this kind of symbolism.

I’d say this murder was from a very powerful financial cabal very interested in long term psychological programs and energy management.


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