Vatican Modern Art: The Detroit Connection

When Pope Paul IV said that the “smoke of Satan had now entered the Church of God“¹ he decided to use Modern Art as a tool to reflect this unholy reverence.  The artwork especially made for this Satanic purpose would be called La Resurrezione (The Resurrection).

The Resurrection by Pericle Fazzini

The bronze sculpture had been commissioned by Pope Paul VI to Pericle Fazzini in 1965; this would be at the conclusion of the second Vatican Council. The work was inaugurated in the presence of Paul IV in September 1977.²

At the end of his life Fazzini wrote,“Death and life, one thing: they are part of the infinite mystery of men and invisible insects that are equal in this ever more mysterious universe that is never consumed.”³

Interesting thoughts by one who was commissioned to create The Resurrection sculpture that portrayed Jesus rising from a nuclear blast in the Garden of Gethsemane.

It appears that the time period of the commissioning the art and the inauguration of the diabolical statuary was part of a magickal working designed by those in the know who had ushered in the smoke of Satan. Those within the know may attend one of the four Scottish Rite lodges situated within eight city blocks that make up the Vatican State; many of the highest Vatican officials are Freemasons.4

Clearly the infiltration of the modern art crowd was just the provenance the Vatican needed in order to guide the faithful towards it’s modernist ideals.  The Vatican American art agent, Lawrence Fleishman, Detroit native and owner of the Kennedy Galleries in New York, was in charge of obtaining art for Pope Paul’s approval. The pontiff clearly had a preference for Jewish artists, almost 60 percent of his selections were by Jewish artists, perhaps reflecting the Church’s reorientation with other faiths through the proclamation Nostra Aetate.5 

Lawrence Fleischman worked with the homosexual Cardinal Terence Cooke to establish the Friends of the Vatican Museum.  Baron Hans Heinrich Thyssen-Bornemisza was on the museum’s committee. Interestingly, Barbara Fleischman described the baron as, “…a very, very patrician man, but very wicked—…and very much fun. She also said that, “…his friendship with Larry [her husband] was very, very special.6,7 The Thyssen family were wealthy patriotic German industrialists who supported Hitler during the war.8

The Fleischmans were also good friends with Archbishop Paul Marcinkus, who was accused by Anthony Raimondi of killing Pope John Paul I.9 Not only was the archbishop involved in Vatican art procurements, but he was basically the pope’s right hand man in financial affairs.

Marcinkus was president of the Vatican bank and after Pope Paul’s death in 1978 he was reconfirmed as president of the bank by Pope John Paul II, who ordained him as an archbishop in 1981. He was then indicted in the multibillion dollar financial collapse of the Banco Ambrosiana in 1982.10

He is quoted as saying, “You Can’t Run a Church on Hail Marys.”

Marcinkus is also accused of ordering the kidnapping of 15 year old Emanuela Orlandi, who disappeared on June 22, 1983.11

 

Sources Cited

  1. Donald R. McClarey, Pope Paul VI and the Smoke of Satan, https://catholicstand.com/109/.
  2. le Mie Marche, The Marche extraordinary art of Pericle Fazzini, https://www.lemiemarche.net/en/larte-marchigiana-pericle-fazzini/.
  3. Valerio Rivosecchi, “FAZZINI, Pericle.” Dizionario Biografico degli Italiani – Volume 45,  (1995),  https://www.treccani.it/enciclopedia/pericle-fazzini_(Dizionario-Biografico)/.
  4. Novus Ordo Watch, The Vatican’s Hell Hall: The Weird Mysteries of the Paul VI Audience Hall, https://novusordowatch.org/2020/07/vatican-hell-hall-weird-mysteries-paul6-auditorium/.
  5. “Vatican American Art Agent, Lawrence Fleischman, to Speak,” The Detroit Jewish News, October 19, 1973.
  6. Randy Engel, The “Uncle Teddy” McCarrick case, http://www.renewamerica.com/columns/engel/180629.
  7. Oral history interview with Barbara Fleischman, 2011 Dec. 27-2012 Jan. 23. Archives of American Art, Smithsonian Institution. https://www.aaa.si.edu/collections/interviews/oral-history-interview…
  8. John de Nugent, The Jewish lie that Big Business and Wall Street backed Hitler, https://www.johndenugent.com/the-jewish-lie-that-big-business-and-wall-street-backed-hitler/.
  9. Anthony S. Luciano Raimondi, When the Bullet Hits the Bone (New York: Page Publishing Inc.), 145-49.
  10. Adam Bernstein, “Paul Marcinkus, Indicted in Bank Scandal,” The Washington Post, February 22, 2006, https://www.washingtonpost.com/archive/local/2006/02/22/paul-marcinkus-indicted-in-bank-scandal/fea696ad-eab3-42a4-b494-dff14d837c7e/.
  11. John Hooper, “Rome prosecutors link Vatican cleric to 29-year mystery of missing girl,” The Guardian, April 12, 2012, https://www.theguardian.com/world/2012/apr/12/prosecutors-link-vatican-missing-girl.

 

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Christian Child Ritual Sacrifice by Jews

Martirio di San Simonino da Trento (Simone Unverdorben), per omicidio rituale ebraico (The Martyrdom of St. Simon of Trento in accordance with Jewish ritual murder) by Giovanni Gaspparo

Jews have a long history of Christian child sacrifice.

Celebrated Italian artist Giovanni Gaspparo, noted for his baroque-style, uploaded a painting depicting the sacrifice of a Christian child by Jews to his FaceBook page. It was promptly removed by the ‘censors.’

This Facebook post is no longer available. It may have been removed, or the privacy settings of the post may have changed.

Giovanni Gasparro

The Vatican recognized Saint Simon of Trent in 1588 under Pope Sixtus V. But as part of Vatican II to improve the relationship with the Jews and remove many of the ‘antisemitic’ aspects of Catholicism, Pope Paul VI removed Saint Simon’s status as a martyr.

British writer and researcher, Arnold S. Leese had documented many historical cases of Jewish ritual murder.

Arnold S Leese

As a result of this he was imprisoned for six months. The judge in his case was a 31 degree Scottish Rite Freemason.

“I came to Court very fully prepared, if the truth of my statements was challenged, to justify the statements I had made in The Fascist, and was even ready to demand that “Rex,” the prosecutor, should produce from the Public Records Office certain Close and Patent Rolls of the State wherein Jewish Ritual Murder is recorded as an established fact in this country! But I was forbidden by the Judge to use this line of defence; it did not matter who else had charged the Jews with ritual murder, or how often, or what historic facts proved it, or how many convictions there had been under proper juridical authority… He made it clear to me that to proceed further in such a line of defence would be contempt of court, as the “truth” of the “libel” was”irrelevant” to the issue of the trial! Such may be the law, but it is not justice!”

I challenge and defy the Judæo-Masonic Power, which rules this country, by publishing the present work in 1938, not only in my own defence, but in the public interest to break the attack on Free Speech that is rapidly developing wherever any criticism of the past or present conduct of Jews is concerned, an attack which relies for its success upon the ridiculous charge that a breach of the peace is likely if the truth about them is spoken! I do so in order that the Jews shall not escape simply through the power of Money and Masonry from bearing the burden of a charge which, in my opinion, has been proved against some of them through the ages.”

In Chicago there was a case of Jewish ritual murder of a total of five White Children. Very powerful Jews in the Jewish community of Chicago covered it up within their controlled freemasonic and criminal networks.

“Between October of 1955 and December of 1956, a total of five White children, three young boys including two brothers and a friend and two teenaged sisters, were abducted and murdered in a manner which was suggestive of Jewish ritual sacrifice, the liturgical object of which is to obtain Gentile blood to mix with the matzoh used in several esoteric Jewish religious ceremonies such as Purim, Passover, and Kol Nidre at Yom Kippur.

Barbara and Patricia Grimes
Investigating the homicides

To add insult to injury, the news media was literally silenced concerning the case.

“What is interesting about these cases is not the unsolved murders themselves, but the view which for once we are given of the lengths to which the Jews will go to cover up suspected ritual murder cases. In view of the intense public interest in the case there was of course a lot of media reporting. The Chicago Daily News published an afternoon edition detailing the ritualistic nature of the wounds and speculating that members of a “religious cult” might be involved. Within ten minutes of the edition hitting the street, trucks were sent out to bring them all in; all copies were ripped off the newsstands and taken back to the News building where they were burned.

Jewish newspaper columnist Irv Kupcinet established a “sympathy fund” and shortly thereafter presented Arnold Schuessler’s widow, the mother of the murdered children, with $100,000 raised from Chicago’s Jewish community– an immense sum of money in 1955-56, worth easily a couple of million today, and a very strange gesture for Jews to make to a Gentile crime victim, a German at that, unless it was to buy silence. There may have been one final murder connected with this ghastly case. British author Arnold Leese was provided with massive amounts of news clippings and information, including a transcript of the inquest, by his correspondents in Chicago, and he was at work on a definitive account of the Schuessler case as one of the best documented incidents of Jewish ritual murder in modern times when he suddenly died in the spring of 1956. None of the Schuessler papers, which he had been working on and which he showed to a number of friends and visitors, were found anywhere in his possession when his effects were inventoried after his death. The last loose end was tied up.”

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PSYCHOLOGY AND JEWS

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Statues: Jews, Blacks, the KKK and Albert Pike

The past is the future unless you learn history—real history, not the sanitized, fake version. There is reality and then there is fakery. Theatre. Which is best for the stage. But there are those who believe that reality is a theatre and life is a constant LARP (live action role play).

Currently it is in vogue to topple statues. What is the point of toppling statues when we can take the young, the current generation, to a particular statue and tell them the history behind the individual that the statue represents? Why should we ‘sanitize’ the environment when we can say “Look, this evil person did this and this and the other thing.” This is a potent learning tool.

One particular statue deserves mention. This statue is of Albert Pike, 33 degree Scottish Rite Freemason and founder of the Klu Klux Klan (KKK). There is a very deep history behind this individual everyone should learn about. Because when you unravel the thread it connects the man to a wider freemasonic, and therefore globalist, conspiratorial tapestry.

Albert Pike Memorial Washington, DC

To begin this story we go back in time to the 1800s. We will start with a lord from Britain. This Lord Palmerston of Britain liked to make theme parks. Disneyfied versions of culture and race the British could control. He decided to make a project of the Jews and Israel. Apparently the Jews did not know they needed a place called Israel. During the time of the civil war most Jews were pro­-Union. In fact, Jewish soldiers in the Union Army were intensely proud, mostly German-speaking immigrant, anti-­slavery Republicans.

Jewish Civil War Pro-Union Soldier

Well Lord Palmerston decided to change all that. He needed to manipulate Americans and Jews to see things differently. So as British Foreign Minister, Palmerston launched Zionism in 1840. He wrote that the Jews desired to return to Palestine (Abba Eban points out that the Jews knew nothing about this); and a month later, lo and behold, the British landed troops in Palestine for the first time.

Then he and his cronies decided to make a secret club. B’nai B’rith was started officially in 1843 by some obscure Freemasons in New York, as a secret society “like Freemasonry” for Jews. B’nai B’rith was to shape and lead a particular political faction, with a particular agenda, within the Jewish community.

This British project matured in the mid-1850s, and its active focus shifted to the West. There were two important partners instigating things: Isaac M. Wise, a B’nai B’rith Midwest leader based in Cincinnati; and Killian H. Van Rensselaer, a British military operative and Scottish Rite Mason northern leader, also based in Cincinnati. Between 1854 and 1860, they spread a pro-slavery, secessionist-terrorist group along the route extending down the Mississippi valley to Louisiana and Texas: the Knights of the Golden Circle, an organization that later morphed into the Klu Klux Klan (KKK). Wise’s B’nai B’rith organization spread southward along the identical route. Their plan was to spread slavery into Latin America and the U.S. West, and break up the U.S.A. into several small countries. In Louisiana, U.S. Senator Judah Benjamin and Scottish Rite Southern Mason leader Albert Pike worked together on this terrorist secession project.

After the war, the Ku Klux Klan was started up in Tennessee to stop newly freed blacks from voting. With their occult­ satanic rituals and costumes, the KKK burned and tortured blacks and pro-U.S.A. whites. The Klan’s national headquarters was in Memphis, Tennessee, where KKK leaders Albert Pike and Nathan B. Forrest lived and attended the lodge together.

Members of the KKK in Tennessee

WORK CITED:

Chaitkin Anton. (1994, April 15). America’s ‘Young America’ Movement: slaveholders and the B’nai B’rith.  EIR.                                                                                         https://larouchepub.com/eiw/public/1994/eirv21n16-19940415/eirv21n16-19940415_028-americas_young_america_movement.pdf

 

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